Article

Notes on Malay magic

From Munshipedia, the MBRAS digital historical encyclopedia

Notes on Malay magic

R. O. Winstedt, writing in 1925 from his position as a senior colonial administrator in the Federated Malay States, published this wide-ranging survey of Malay magical practice in the Journal of the Malayan Branch of the Royal Asiatic Society. Drawing heavily on his own monograph Shaman, Saiva and Sufi and on a broad corpus of earlier ethnographic reports, Winstedt argues that Malay magic is a deeply syncretic system in which indigenous aboriginal beliefs have been successively overlaid with Hindu and then Islamic elements—and that much of what earlier scholars attributed to Hindu influence is in fact of Semitic or Muslim origin.

Summary

The article is organised as a series of thematic notes rather than a continuous argument, covering topics from ritual nudity and the bahdi (a transmissible property of a killed deer) to rain-making, house-building sacrifice, tree-burial of magicians, and black magic. Winstedt’s central analytical move is to trace the provenance of specific practices and formulae, distinguishing between what is genuinely indigenous (Proto-Malay or Sakai), what derives from Hindu-Brahmanical tradition, and what is imported with Islam from the Semitic magical tradition of Arabia and Mesopotamia. He is particularly insistent on the last point: the use of dough figures as substitutes in healing, the catalogue-style exorcism that disclaims the magician’s own power, the philtre of black cat ashes, and the wax-image curse all find their closest parallels in Assyrian and Hebrew magical texts rather than in Indian sources.

A second thread running through the notes is the persistence of aboriginal belief beneath the surface of Muslim practice. Winstedt documents how the Mantra (a Proto-Malay group) who “remained heathen” nonetheless cut the rice-soul with the Basmala and invoked Allah and Muhammad, and how Muslim Malays sacrifice a pig on the seashore when all other offerings to secure a catch have failed. The article also explores the afterlife geography shared by the Peninsula’s aboriginal peoples—the westward orientation of the soul’s journey, the seven-day haunting of graves, the canoe-ditch around burial mounds, and the soul-ladders and soul-huts that facilitate the dead’s departure.

Winstedt’s method is comparative and etiological: he juxtaposes Malay practices with those of the Dayaks, Torajas, Siamese, Arabs, Assyrians, and even Greek and Australian aborigines to establish analogies and infer direction of borrowing. His sources are almost entirely secondary—earlier publications of the JMBRAS, the Journal of the Indian Archipelago, Skeat’s Malay Magic, Thompson’s Semitic Magic, Frazer’s Golden Bough, and various unpublished Malay manuscripts—rather than original fieldwork, which gives the article the character of a learned synthesis rather than an ethnographic report.

Key Findings

  • The Spectre Huntsman, an avatar of Siva, is identified by the diagnostic absence of a navel (“a clear indication of godhead”); his passage is heralded by a flock of bee-eaters that Malays call his “casting-net” or “dogs,” and no Malay may name the birds or the spirit until the storm has passed (pp. 7–8).
  • In Pahang, under Sakai influence, a storm is stopped by cutting the hair of the person who broke the taboo responsible, after counting seven; if no culprit is known, villagers cut their own hands or feet so that blood falling on the earth will check the rain (p. 9).
  • The Kelantan magician’s philtre for seeing through a brass dice-box combines the Semitic ingredient of black cat ashes with the indigenous addition of tiger’s eyes, because killing a cat was “sinful” to the Malay and carried the karmic penalty of carrying logs of wood “to the number of the hairs on the beast’s body” in the next world (pp. 14–15).
  • The last Malay shaman left unburied in Perak was “stuck up” in a Lagerstroemia floribunda tree near Raja Kayu between 1870 and 1875 and is now believed to be a tiger with a white patch; a wizard named Alang Dewasa, buried in Upper Perak, was found to have disturbed his own grave and subsequently appeared as a one-eyed tiger (p. 18).
  • A Proto-Malay chief’s grave in Johore (1879) included a ditch for the spirit’s canoe, four horizontal beams forming an enclosure containing a coconut shell, torch, axe-handle, and cooking-pot, a shoulder-basket for firewood, and “soul-steps” (upright sticks) to enable the spirit’s departure, with the body’s feet pointing west (p. 20).
  • The Muslim Malay black-magic prescription for destroying an enemy—making a wax image from an empty honeycomb, piercing it with a skewer from head to buttocks, shrouding it as a corpse, and reading the funeral prayers over it—directly parallels the Indian Muslim method described in the Qanoon-e-Islam (1832) of kneading a grave-earth image and striking pegs into its limbs (p. 21).

Conclusion

Winstedt’s definitive takeaway is that the history of Malay magic cannot be understood as a simple succession of Hindu followed by Islamic influence; rather, the Semitic magical tradition arrived with Islam and proved remarkably congenial to existing Malay and aboriginal practices, so that the resulting syncretism is so thorough that the Mantra themselves adopted the Basmala and the name of Muhammad while remaining “heathen” in everything else. The forest, Winstedt implies, was the one domain where neither Hindu nor Muslim traders could impose their faiths, and it is there that the oldest layers of belief survived most intact.

Context

  • Winstedt was Secretary to the Federal Council of the Federated Malay States at the time of writing; the article reflects the administrative-ethnographic tradition of the colonial service, in which officials compiled and systematised knowledge of indigenous belief for both scholarly and governance purposes.
  • The study’s principal historiographical contribution is its systematic re-attribution of numerous Malay magical practices from a Hindu to a Semitic provenance, a thesis that drew on R. C. Thompson’s Semitic Magic (1908) and that remained influential in Malayan studies for several decades.

References